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Stoke on Trent, Staffordshire, United Kingdom
Broadcaster, musician, song writer, tea drinker and curry lover.

Friday, October 3, 2008

Fireproof


So this is the third - and eagerly anticpiated - production from Sherwood Baptist Church and the Kendrick brothers, following the lead of their first movie "Flywheel" by focusing in on husband/wife relationships, but this time in the context of a firefighter, played by former child TV star Kirk Cameron.

The story concentrates on the story of a marriage gone bad and how divorce proceedings are put on hold while the husband is challenged to a 40-day dare.

Let's be frank; Fireproof isn't going to win any Oscars, but I'm sure that is not anywhere on the list of priorities of the film makers. What's important to them, and what is by far the most striking thing about the movie is the pro-marriage, pro-family message, and that shines out loud and clear, although sometimes at the expense of smooth narrative.

There are some weaknesses, and it would be remiss of me not to point them out.

In my opinion, the opening set-up of why Caleb and Catherine are so bitter towards one another isn't really established, with the result that Caleb flies off the handle frequently at his wife without there seeming to be any real reason. Several times his rage seems totally disproportionate to his wife's behavior. Now to married people, this may make perfect sense, but singles may not get that.

Whilst the main body of the movie is fine, I also had problems with the ending, or rather, endings. The Kendricks just don't seem to know when to stop the movie. Two or three times we reach melodramatic climaxes and expect credits to roll, only to be propelled into yet another emotional scene.

Whilst I could also gripe about some really cheesy moments and a few rather cheesy acting performances, let's be fair, a lot of the actors are first-timers, and there are some really strong performances, underpinned by Cameron, who is powerful and authentic as Caleb. There are also some very deft comic touches (although some are a bit less subtle than they need be, as if the director wants to make sure the audience knows what's happening when they already will),

The music throughout is well chosen and very well positioned. Particularly noteworthy are Casting Crowns' "Slow Fade" and John Waller's "While I'm Waiting". Look out also for songs by Third Day and Leeland.

Overall, as I've said, this movie is important mainly for it's message and not it's production values (although it is definitely streets ahead of its two predecessors in that area), and I'm sure it will be an important ministry resource along with the "Love Dare" book that's already been published along with a number of other products.

My only concern I guess would be getting non-believers to see the movie, especially when those in the secular field who don't understand it's mission have already started panning it for it's low budget deficiencies.

But I pray that God will use it, as there is no doubt that this is one of the more important movies of the year.

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